The Flames of Florence by Donna Russo Morin Excerpt, Blog Tour and Giveaway

Historical Thriller

Date Published: May 8, 2018

Publisher: Diversion Books

"A glittering Renaissance gem of a novel. Donna Russo Morin, a master of her craft, has penned an intricate story full of lush historical detail with a plot that will leave you breathless." —Tasha Alexander, New York Times bestselling author of Death in St. Petersburg

In her final standalone novel featuring Da Vinci's Disciples, Donna Russo Morin delivers a thrilling story of the secret female artists of Florence, under the tutelage of Leonardo Da Vinci, and their heroic, potentially deadly efforts to save great works of art from the infamous Bonfire of the Vanities.

"Illicit plots, mysterious paintings, and Leonardo da Vinci all have their part to play in this delicious, heart-pounding work." —Kate Quinn, New York Times and USA Today bestselling author of The Alice Network

Lorenzo de Medici is dead, and his son Piero has brought war and famine upon the city of Florence. Yet, the glory that is Renaissance artistry grows more magnificent, as does the work of the women known as Da Vinci's Disciples. Now they face their most dangerous challenge, one shrouded in the cloak of a monk.

From the ashes of war, Friar Girolamo Savonarola rises. Some call him a savior and a prophet, a man willing to overthrow tyrannical rulers and corrupt clergy, the Borgia Pope among them. Fra Girolamo is determined to remold Florence from an avaricious, secular culture to a paragon of Christian virtues.

Many call Savonarola a delusional heretic, incapable of anything but self-serving fanaticism. When he sets out to destroy all secular art forms, Da Vinci's Disciples call him an enemy … but not all of them.

"Like a glorious Italian fresco-richly textured and vividly portrayed … Highly recommended for lovers of history, art, and courageous women." —Anna Lee Huber, bestselling author of the Lady Darby Mysteries

"Donna Russo Morin renders one of the most tumultuous periods in Florence's history in bright colors and with vivid descriptions. This tale of a group of determined women standing up for what they believe in … will absolutely resonate with modern readers." —Alyssa Palombo, author of The Most Beautiful Woman in Florence

About the Author

Donna Russo Morin’s passion for the written word began when she was a child, took on a feminist edge as she grew through the sixties, and blossomed into a distinctive style of action-filled historical fiction at a defining moment in her life. As a second-generation American of full Italian descent, Donna combined her historical research with her genealogical studies, finding that her birth name (Russo) and her family roots are traceable to ninth century Florence…the very city in which the Da Vinci’s Disciples trilogy is set.

Donna Russo (Morin) is the internationally published author of six multi-award-winning historical novels including PORTRAIT OF A CONSPIRACY: Da Vinci’s Disciples Book One (a finalist in Foreword Reviews BEST BOOK OF THE YEAR), and THE COMPETITION: Da Vinci’s Disciples Book Two (EDITOR’S CHOICE, Historical Novel Society Review). The final book in her Da Vinci’s Disciples trilogy, THE FLAMES OF FLORENCE, releases May 8, 2018. Also this summer, my novel, inspired by our own home state, GILDED SUMMERS: A Novel of Newport’s Gilded Age will also release this summer. Her other titles include The King’s Agent, recipient of a starred review in Publishers Weekly, The Courtier’s Secret, The Secret of the Glass, and To Serve a King.

A 25-year professional editor/story consultant, her work spans more than 40 manuscripts.  She holds a BA in Communications and an A.A. in English Literature.  Donna teaches writing courses at her state’s most prestigious adult learning center, online for Writer’s Digest University, and has presented at national and academic conferences for over ten years.  In addition to her writing, Donna has worked as a model and an actor with appearances in Showtime’s Brotherhood and Martin Scorsese’s The Departed. Currently under contract to a consortium of international producers, Donna has added screenwriting to her professional acumen.

Her sons—Devon, an opera singer; and Dylan, a chef—are still, and always will be, her greatest works.

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THE FLAMES OF FLORENCE: DA VINCI'S DISCIPLES BOOK THREE
Chapter One

"The world is never still;
It moves forward whether we wish it to or not.”
Their faces had changed. Time had marched across some, leaving its tracks. New faces had sprouted like the first crocuses of spring. Yet whatever form they took, they stood by each other as life spun its web
around them.
They stood in the sun now, free of the shadows, with its warmth fluttering down upon their shoulders. She had been one of the first, one of the founders, a tender, delicate bloom of wisdom. She had been with them at the other funeral, that of the man whose life had made the transformation in theirs possible. The man who had changed all of Florence, planting seeds of it, reveling in their blossoms, and sharing their glory with the world. He had known the importance of art, had tended to it the way it needed to flourish, as they had flourished.
Together, they had survived as Florence had survived: barely. The Medicis, doomed since the death of Lorenzo “Il Magnifico” de’ Medici, had been ousted. War had weakened Florence’s trunk as well as her branches. And strangeness had descended upon them in the form of a tonsured, cloaked figure, a shadow whose length grew ever longer, all encompassing.
Hope born on audacity and raised on bravery had changed them. As they watched their dearest friend lowered into the ground where her ashes would live forever, they knew they too would remain eternal; they would be, now and forever…Da Vinci’s Disciples.
Isabetta and Gianetta walked to the mercato as they did most days. Both understood the depth of kindness Andreano and Mattea had shown them, taking them in as they had done. For Gianetta, her cousin’s kindness went far deeper, for he accepted his role as her guardian without hesitation. They returned such kindness, though in a small manner, by making for the markets early each morning, to buy the freshest fruit and vegetables the farmers delivered to the city. As a widow, Isabetta walked about as she pleased, no chaperone necessary, nor a veil upon her head. Gianetta, a young unmarried woman, could never be seen out of doors without her veil, not a terrible hardship with its embroidered lace sprinkledminutely by small jewels.
“I hope there is some fresh lamb,” Gianetta chirped. “We havenot been able to find any in quite some time.”
“That would be nice,” Isabetta agreed.
Both women struggled to speak of inconsequential things. Life had been far too full of serious conversations; at times, the mind needed the triviality of life for it to feel real.
“And perhaps—ahia!” Gianetta’s scream pierced the still morning air.
Isabetta spun, seeing the three boys—all robed in white—rushing away from them, one holding Gianetta’s veil in her hand—strands and roots of her hair still within the teeth of itsc omb—having yanked it from her head. With swiftness of foot, Isabetta caught up to them, ran before them, and stopped.
“May we help you, signora?” the oldest of the three, perhaps as old as twelve or thirteen, asked of her.
Her lip curled as she fell on them hard.
“How dare you!” she spat at them.
The boys looked the very portrait of innocent incomprehension.
“We do nothing more than our job.”
“Your job?” Isabetta’s head rocked back and forth as she scoffed at them. “It is your job to accost young women?”
“No, signora,” another replied, a golden haired child no more than ten. “We are to remove all…all…” his eyes rolled up in hishead as he searched for the words, “…all vain glories from the
streets of Florence.”
“Vain glories? What nonsense is this?”
“As I said, signora,” the first spoke again, taking a step toward her. If he hoped it would make her take a step back, he was disappointed.
“We do our job. Nothing more and nothing less.”
“And this is what your master tells you to do?”
The boy puffed up his chest. “Sì, signora.”
Isabetta longed to slap the smirk from his face. Instead, she leaned over and leaned down, her head only inches from the oldest.
“Tell your master, Isabetta Fioravanti believes he is deranged and dangerous.”
The boy twitched beneath his pristine robe, his agitation and anger longing for release. His hands fisted by his side as his eyes narrowed to slits.
“Go on, boy,” Isabetta goaded, “if you dare. Look in my eye and ask yourself if I could not slap you raw.” She held up a hand. “No, not could I, but would I?”
Their gazes locked together in battle, neither giving way.
“Come,” the smallest of the boys pulled upon his cohort.
“    Come, Alberto.”
Alberto, as he was, began to step away, stepping backward from them.
“Grazie, signora,” he bowed to Isabetta, “for the gift of your name.”
He need not say more, nor did she.
Only when they were out of sight did Isabetta return to
Gianetta’s side, examining her head, finding pinpricks of blood on her scalp.
“Do you feel well enough for the mercato?” Isabetta asked of her.
Gianetta nodded her stinging head, covered it as best she could with her small lace handkerchief retrieved from her waist purse, and they began to walk once more.
“You act rashly,” Gianetta chastised her.
“That man is a rash,” Isabetta responded, “and I believe we have just caught it.”
Gianetta grabbed her arm. “You and I?”
Isabetta shook her head. “No. Florence.”